Semantic effect and material driven design
In the first part of the project, a material concept is to be developed based on a selected association term.
The second part deals with the design method ‘Material Driven Design’.
As part of the course, students first analyze the sensory perception, functional properties, and semantic dimensions of meaning of a material. Building on this, an association term (e.g., sporty, artificial, or playful) is drawn from a defined pool of terms and systematically related to the material.
From this connection, students develop a material concept whose intended effect corresponds to the respective associative term. In addition to examining the semantic effect of materials, students use this as a basis to design a product according to the principle of material-driven design. The application, function, and design of the product are consistently derived from the specific properties of the material.
The project began with an inquiry into the meaning of the assigned adjective, and how its essence could be meaningfully translated into a tangible product.
Following extensive experimentation with a range of possible materials, we ultimately selected used tea leaves, the residue typically discarded after being contained in paper tea bags. Rather than treating this as waste, the material was reworked and given new purpose. By virtue of its composition, it retains both the natural color of the tea and, most notably, its scent, which persists distinctly within the fibers even after processing. Building on these defining characteristics, aroma and structural resilience, we developed a specific product application: caps designed for perfume bottles. Each cap is crafted to replicate the scent of the perfume contained within the bottle, allowing for immediate and intuitive identification of the flavor. The shape of the cap was developed with reference to traditional Chinese tea sets, which served as a key source of inspiration throughout the design process, lending the object both cultural resonance and visual refinement. The resulting product thus brings together functional and aesthetic dimensions in a single, cohesive object. It stands as an example of how a discarded material, can be reimagined and transformed into something of genuine practical value and sensory intelligence.